Do we really need a straight man to make comedy work?

Do we really need a straight man to make comedy work?:

mullaney:

I’d like to propose a simple change in terminology for analyzing comedy and improv scenes. Often two person comedy scenes will have one character who is inappropriate, absurd, irrational, illogical or weird, and another character who’s role is to react to this strange character as we think an average person might. This other character is usually more reasonable, skeptical, logical, or rational than the strange one. 

The term that most people use for this is “straight man.” I love the concept, it’s extremely useful, but I hate the term. Every time I hear it, it sounds more and more tone deaf. Instead, I think we should use the term “voice of reason” instead:

the voice of reason (definition): Often when one character in a scene is odd, weird or strange, we need another character who is the voice of reason. This character’s job is to react as an ordinary person might to the absurd character. They might be skeptical of the other character’s point of view. They might react by being annoyed, or amazed, or shocked, or nonplussed.

The voice of reason does not have to act straight, or like a man, they have to react as a person, a person usually very similar to the real life performer behind the character. 

If you don’t like this idea, feel free to keep using the tone deaf term. But if you are open to it, start using “voice of reason” instead. I think you will see it’s much more accurate and leaves out all the cultural baggage that normal and ordinary equals straight and male.

I like this. I hate the phrase straight person or straight character more than straight man - it fixes the gender issue, but seems to put more focus on the use of straight. I never had a good replacement.
This is good. Voice of Reason and the unusual character.

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