UCB Harold Auditions- advice?

The UCB is holding auditions for Harold teams very soon. Lots of my students have asked me questions students and requested some general advice.

Here is what I tell them.

RELAX. The most important thing is to relax. This isn’t the time to fix any weaknesses you feel you have. Audition as you are now. You either know it or you don’t. You can’t cram for art. Stepping up and trying to correct mistakes will just put you in your head. Sometimes being in your head is ok, for instance if you are working on stuff in rehearsals, in general you are at your best when you are playing from your gut and instinct.

Should I audition with friends?
It depends on you. I’ve heard folk who prefer both. I’ve done both. I personally liked auditioning with one or two people I knew and a few I didn’t. But I know some folks liked to have a full group of friends, and others liked to be all randoms. It all goes back to my first point. Whatever helps you be your most relaxed.

What are they looking for? Strong scenework and game. Grounded, smart scenes with game moves.

Anything else? Remember when I said to relax?
Be prepared, show up early so you can warm up and not rush into the audition.
Come with some warmups in mind. I remember always being surrounded by nervous people who didn’t want to suggest a warmup. Do any warmup anyone suggests, starting yesing from the moment you start warming up. If no one suggests one you should be ready to say what you like
Have fun! It’s hard to do this for some of you, but don’t put too much pressure on the auditions. If you love doing improv, then a bad audition won’t stop you from improvising. You are at your best when you like what you are doing.

Keep in mind this is just what I think. This is not official UCB advice.

Keep in mind if you don’t get called back it’s not over. It took me 3 auditions before I got a call back, and that’s not counting the non-open call audition that I did not get called into. Even after the callback I didn’t get placed on a team until 6 months later. A team that lasted a little over a year. Then I had to audition 2 more times before getting back on.

I went through a lot of auditions. Maybe I don’t know what I am talking about.

I could go into a lot more detail about my personal audition process, but I tend to talk about it anytime anyone asks me, so if you really care about the details of what I went through then I am sure you’ll hear me talking about it over a beer sometime. Or maybe I can blog about it another day.


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caitlintime: A new Diamonds, Wow! video product Sex, Drugs…



caitlintime:

A new Diamonds, Wow! video product

Sex, Drugs & the Hard Rock Cafe. Starring Ben Rodgers, Rob Cuthill, Andree Vermeulen, Tony Rodriguez, Jamison Guest, Fran Gillespie, Nate Lang, Kate McKinnon, Brandon Scott Jones, Eddie Dunn, Thomas Middleditch and John Frusciante. Directed by Ed Mundy. Edited by Zach Neumeyer. Cinematography by Ryan O’Laughlin. Written by Melinda Taub.

We filmed this a while ago, but editing it involved a lot of photoshop stuff. Zach worked way way overtime on this. Melinda wrote a great sketch. And John Frusciante gushed while doing the voiceover.

You’ll like this one, even if all I did was hang out with the cast as they sat around in costume.

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IRC Podcast 2010-03-02 Kevin Hines

IRC Podcast 2010-03-02 Kevin Hines:

The IRC Podcast is a very cool improv podcast being done by Kevin Mullaney.

I was super flattered to be asked to do this. We talk about some exercises I like to do to help people react (including one I did with Smirk before they were Smirk, and one I did with a bunch of groups although I cite an example involving Shannon Coffey during a rehearsal with The Spinoffs), then I talk about the Macroscene (which I  have already talked about too much on this blog) and finally I talk about a third beat exercise I like (first done with Bangs).

Kevin Mullaney was my level 1 teacher at the UCB (back in June of 2000!). He was my first coach for my first Harold Team (sadly named The Rrrrrockets!). He coached my longest lasting indie team (Stomping Ground) for a long stretch.

It was so surreal discussing teaching with Kevin. It reminded me how far I have come, and also felt very validating as an improv teacher. I don’t think he knew how much it meant to me to do this.

Listen to this podcast, and you can hear me get flustered when Kevin compliments my use of side coaching (near the end, around 23:39).

Thanks Kevin!

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iamachilles: March 2010 Challenge

iamachilles: March 2010 Challenge:

With February’s challenge complete, it’s time for me to move on to the March challenge.

I think these monthly challenges are about finding and honing my voice as a writer and comedian (rather than, say, eating a new type of hot dog for a month), so I’d like to stay on that track.

For this…

Hey, I love talking about improv.

Also I love reading about improv.

So I am loving Achilles’s recent posts about his improv history! Follow him and read these posts (if you are a NYC Improv nerd).

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iamachilles: thedailywhat: FoD Exclusive of the Day:…



iamachilles:

thedailywhat:

FoD Exclusive of the Day: Presidential impersonators of SNLs past offer the current Lampooner in Chief some unsolicited advice.

[fod.]

WOW.

A couple of things that crossed my mind while watching this. I still LOVE Carvey’s Bush. I laughed out loud twice at his “impression”. Easily my favorite presidential “character” from SNL’s history.

And when Jim Carrey came on to play Reagan, I missed Phil Hartman.

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My Crude Summary of The Health Care Summit

iamachilles:

Democrats: This is our health care bill.
Republicans: Looked at it.  Couldn’t get our dicks hard for it.
Democrats: Really?  We are wet for this bill.
Republicans: Yeah, sorry.  Our dicks are soft.
Democrats: Can you tell us what will make it hard.
Republicans: Nah.
President Obama: This is some bullshit.

The Health Care Debate is sexy!

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The latest from Diamonds Wow. We discovered an audio recording…



The latest from Diamonds Wow.

We discovered an audio recording of Kevin Smith’s recent issue on Southwest Airlines. News sources said he was kicked off for being too fat, but we discovered something else.

Direct Link: Kevin Smith: Too Awful to Fly

Some folks (like the comments on Jezebelle) feel we overstepped our bounds by insulting him. I personally don’t get it. Would we have gotten slammed if we insulted Dane Cook? Or Jay Leno?

So I guess people just don’t like us insulting celebrities they like.

If you have no strong opinions about Kevin Smith, I think you’ll love this video!

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A non-coffee drinker muses about living in a coffee…



A non-coffee drinker muses about living in a coffee world.

I’m a rare breed. I don’t drink coffee. The smell of coffee is not enjoyable to me. The taste is worse.

I’m not a health nut. I’m not anti-caffeine. I just never got pulled onto the coffee train.

Coffee is everywhere. People meet over coffee. They drink it first thing in the morning. They drink it after meals. My girlfriend drinks it. My brothers love it. My mom thrived on it. My good college friend worshipped it.

It’s beyond beverage. It’s carried and embibed on the go. On a commuter train or subway coffee is everywhere. It’s constantly juggled by people at work, in cars, and at home. Coffee doesn’t stop folks from going about their business. It’s an extension. A neccessity. It’s no stranger then wearing a watch or a scarf. People stop for it every day. Better late and with coffee then to be without.

And it’s spilled. Only toddler juice bottles and beer in the hands of the drunk is spilled more. Coffee stains abound on shirts, rugs, and papers.

Coffee makers. Spices. Cold or hot. Flavored ice cream. Dark, strong, decaf, weak, black, sugar, honey, whipped cream, lattes, cappuchino, espresso, syrup, pots, single servings.

I feel left out!

I could be surrounded by a devout church, a mob of someone else’s friends, or secret government cabal and not feel like as much of an outsider as I do when I think about coffee.

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Salinger’s Last Book. A new Diamonds Wow! video that I…



Salinger’s Last Book.

A new Diamonds Wow! video that I wrote.

I love this video. I wrote this the Monday after Salinger died. I rewrote it Wedensday. Cast it, gather props, found a location on Thursday and Friday. Ed Mundy shot it with me on Saturday with the help of  Zach and Ryan.

We had some sound issues and some pacing problems and Zach worked super hard fixing that stuff. He even fixed my lame first attempt at the graphic that starts the video.

Tim Martin was amazing. Brian Faas was perfect. I owe Kyle Levenick a big favor.

We didn’t get the video up as fast as I wanted. Mostly due to the sound issues and pacing problems we talked about. And also Diamonds Wow had another Salinger-based video that we wanted to put up that was ready to go.

But all that aside I love watching this video!

If you like racial slurs, dog feces, and handdrawn assholes then you’ll love Salinger’s Last Book!

Direct Link to the video: http://www.ucbcomedy.com/videos/play/5791

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Brothers Hines T-Shirts! Seriously! I designed Brothers Hines…



Brothers Hines T-Shirts!

Seriously!

I designed Brothers Hines T-Shirts! These were inspired by the fact that Will and I are going to The Napa Valley/San Francisco area this weekend to perform a pair of shows. It’s very exciting, but it also feels ridiculous traveling across the country to perform twice. So at some point in the planning of this show Will said “we need to make tour shirts with the two dates on the back”. The rest is history.

You can order your own through Printfection at this store:
Brothers Hines Tour Shirts!

These shows are happening because Terry Withers is awesome. He books UCB TourCo shows, shows that as individuals Will and I haven’t done. But Terry was talking to someone who was looking for a smaller group. Terry mentioned us as a possible duo that could come do shows. After that it was just a matter of extending the tour to 2 shows by booking a second gig.

I think Will and I did our first show together because Sean Taylor asked us to perform as a pair at Variety Underground. (sidenote: this happened to be the same night veteran indie team Rogue Elephant did their first show). It was fun.

Will started at the UCB over 10 years ago, and I started shortly after that but I think that was the first time we ever performed together in any group. We’d go on to do a bunch of other stuff together, notably the indie team Primal Bias. Still only when we were alone on stage did we get to see where our seperate improv paths had taken two guys with such a shared history.


I think I often start the scenes with more information then Will. Will often does his best work in the middle of the scene making changes as necessary. I think I do great work catching what he is trying to do. Will is great about keeping the show’s physical (or as physical as too out of shape late-30 year olds can be). As we’ve improved over the years it’s become a nice mix.

Will’s a great improviser so obviously that makes these shows very easy for me. Unbeknownst to him he has become the type of performer who can get a laugh from nothing, or lift a bad scene on his back and find something worthwhile in it. I can just hang on during those sequences benefit from the recovered audience.

Over the years we performed in bursts here and there. A few years back we did Cagematch I think because I wanted a chance to do some longer scenes that I didn’t get tagged out of, or had to deal with tons of other performers bursting in. I love that style of play (I’ve had some of my favorite shows with uber-supportive teams like fwand) but it’s nice to get a chance to let a scene breath.

We decided to do Cagematch again this year. It had been a while since we had done a show but in the interm we had done some rehearsals with a group of talented folks (Brandon Gardner, Porter Mason, Chelsea Clarke, and the lovely Erik Tanouye). Those rehearsals weren’t for a show, they were just because we all wanted to work on some challenging stuff. Non-standard transitions and taking risks was the point. And this stuff definitely has influenced are most recent shows. We’ve had some great transitions and done a few things here and there that would have thrown each other a few years ago. It adds another layer to our long (but silly) scenework.

I think Will would agree that our shows over the last 6 months have been some of our best ever. I credit those shows (and working with Will) for helping me continue to improve myself as an performer. These shows are a blast, and push me to keep surprising myself. And now we are taking this new found energy to the west coast!

Wish us luck! (and buy our shirts!)

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